Sweden (1827 -1913 ) - Painter painted Varlandskap med skata in 1899  Related Paintings of Olof Hermelin :. | Bjorkdunge, kvinna vid gardesgard | Varlandskap med skata | Varlandskap med kvinna vid skogsbryn | Pa vag till hogmassan | Varlandskap med skata |
Related Artists:
Giacomo Guardi
(1764-1835) was an Italian painter from Venice. The son of famous veduta painter Francesco Guardi, he continued his father's line of work, though without the same level of renown. The majority of his works are quite small views of only minor artistic interest, more akin to postcards than to his father's grand scenes, but he produced several paintings showcasing a notable level of artistic skill as well. Evaluating his legacy is somewhat complicated due to the frequency with which paintings are misattributed to him.
Samuel De Wilde
British 1748-1832,English painter and etcher of Dutch descent. He was the son of a Dutch joiner who had settled in London by 1748. On 19 November 1765 he was apprenticed for seven years to his godfather, Samuel Haworth, a joiner in London. However, he left after five years and enrolled as a student at the Royal Academy Schools in 1769. He exhibited small portraits at the Society of Artists (1776-8) and at the Royal Academy (from 1778), where he also showed fancy pictures of banditti in the style of Philippe Jacques de Loutherbourg. But the genre that he made very much his own was theatrical portraiture: he exhibited theatrical portraits at the Royal Academy almost every year from 1792 to 1821.
Nasi
Italian, 19th century Born in the town of Castel del Piano, near Grossetto, Giuseppe Nicola Nasini trained under Ciro Ferri at the Accademia Medicea in Rome in the early 1680??s. He also studied at the Accademia di San Luca, where he won several prizes, and later worked extensively in Rome. In 1689 he entered the service of the Grand Duke Cosimo III de?? Medici in Florence, for whom he painted a series of four large canvases on the theme of the Last Judgement for the Salone dei Novissimi of the Palazzo Pitti, executed between 1690 and 1694. Transferred at the end of the 18th century to a church in Siena, these are now lost. In the first quarter of the 18th century Nasini painted a number of works for churches in Rome, including an altarpiece of The Madonna and Child with Saints for the Chiesa dei Re Magi in 1707, and a Baptism of Christ for San Lorenzo in Lucina, completed in 1716. In 1718 Nasini was one of twelve leading painters working in Rome (including Benedetto Luti, Francesco Trevisani, Sebastiano Conca and Pier Leone Ghezzi) who were commissioned by Pope Clement XI to paint seated prophets in the oval niches of the nave of the basilica of San Giovanni in Laterano. One of Nasini??s last Roman works was a frescoed Glory of Saint Anthony for the church of SS. Apostoli, painted between 1721 and 1722. By the late 1720??s Nasini had risen to a position as the leading painter in Siena, where he headed a large and busy workshop. In such works as the decoration of the Oratorio del Crocifisso and the church of the Visitation he introduced the Baroque manner of Luca Giordano to his native city. His older brother Antonio was also a painter; the two collaborated on the decoration of the vault of the church of San Gaetano di Thiene in Siena, completed in 1734.